Remembered today primarily as a poet, calligrapher, and critic, the protean Su Shi was an outspoken player in the contentious politics and intellectual debates of the Northern Song dynasty. In this comprehensive study, Egan analyzes Su's literary and artistic work against the background of eleventhcentury developments within Buddhist and Confucian thought and Su's dogged disagr...(展开全部)

Remembered today primarily as a poet, calligrapher, and critic, the protean Su Shi was an outspoken player in the contentious politics and intellectual debates of the Northern Song dynasty. In this comprehensive study, Egan analyzes Su's literary and artistic work against the background of eleventhcentury developments within Buddhist and Confucian thought and Su's dogged disagr...(展开全部)

What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion--imageability--and shows its potential value as a guide for the building and rebuil...(展开全部)

What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion--imageability--and shows its potential value as a guide for the building and rebuil...(展开全部)

This volume is a pioneering study in the theory and history of the imitation of music in fiction and constitutes an important contribution to current intermediality research. Starting with a comparison of basic similarities and differences between literature and music, the study goes on to provide outlines of a general theory of intermediality and its fundamental forms, in whic...(展开全部)

This book, now recognised as a classic, has done perhaps more than any other single work to change the face of art criticism in the twentieth century. Whereas previous books on French painting looked only at the history of painting as an evolution of artistic styles (baroque, rococo, neo-classical, and so on), Norman Bryson examines the evolution of narrative styles: the kinds ...(展开全部)

This book, now recognised as a classic, has done perhaps more than any other single work to change the face of art criticism in the twentieth century. Whereas previous books on French painting looked only at the history of painting as an evolution of artistic styles (baroque, rococo, neo-classical, and so on), Norman Bryson examines the evolution of narrative styles: the kinds ...(展开全部)

A classic text in architectural and art historical theory. Reissued in trade format with a new introduction, The Architecture of Humanism offers a brilliant analysis of the theories and ideas behind much of nineteenth- and twentieth-century architecture. It discusses the classical tradition as reflected in the architecture of Renaissance and Baroque Italy and the role given the...(展开全部)

约瑟夫·M. 威廉姆斯(Joseph M. Williams) 芝加哥大学英语语言文学教授，先锋写作项目创始人。代表作《风格：写作的清晰与优雅》（Style: Lessons in Clarity and Grace）广受欢迎。 格雷戈里·G. 科洛姆(Gregory G. Colomb) 弗吉尼亚大学英语语言文学教授。 他们和韦恩 C. 布斯（Wayne C. Booth）曾在芝加哥大学联合讲授高级写作课程，并一同出版了《研究是一门艺术；撰写学术论文、调查报告、研究著作的权威指南》 （The Craft of Research），销量近百万册。 译者简介： 闾佳，资深翻译工作者，主攻通俗经济学、社会心理学、经济管理及科普方向的非虚构类作品，现已出版多部广受好评的翻译作品。并曾在各类涉外会议中担任现场/陪同翻译。